Glyndebourne Festival - Glyndebourne | 12 May 2024 |
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Performance reviews
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Ariadne auf NaxosGlyndebourne FestivalNo. of reviews: 11 |
An evening that prevails despite, rather than because of, the staging |
29 Jun 17 / Music OMH |
The return of Katharina Thoma's controversial staging of Strauss's opera |
28 Jun 17 / What's on Stage |
Wonderful music; sensational singing; bewildering opera |
28 Jun 17 / Express |
more reviews [+]
Keep calm and carry on singing: love and art overcome wartime adversity in Glyndebourne’s Ariadne |
27 Jun 17 / Bachtrack |
Glyndebourne's wartime Ariadne auf Naxos |
27 Jun 17 / Opera Today |
Lise Davidsen is imperious in Katharina Thoma’s comic and profound Ariadne auf Naxos |
27 Jun 17 / Seen and Heard |
The mighty voice of up-and-coming soprano Lise Davidsen turns this revival of a misjudged production into a remarkable event |
27 Jun 17 / The Times |
Ingenious staging mixes comedy with the mythic |
26 Jun 17 / Evening Standard |
HipermestraGlyndebourne FestivalNo. of reviews: 13 |
Pas super, l'Hyper |
27 Jun 17 / Forum Opéra |
Der Regisseur des Gemetzels |
5 Jun 17 / Klassik Info |
Graham Vick and William Christie make a welcome festival return with a musically flawless account of this baroque rarity |
27 May 17 / The Observer |
more reviews [+]
Graham Vick’s production gives a modern take on this mythical story |
24 May 17 / Mark Ronan's Theatre Reviews |
Graham Vick finds modern relevance in Cavalli's Hipermestra at Glyndebourne |
24 May 17 / Bachtrack |
Cogent Cavalli, chilly Verdi |
23 May 17 / Financial Times |
Glyndebourne Festival Opera performs Cavalli's early Baraoque opera |
23 May 17 / Independent |
Vick just about controls the schizophrenic lurching between farce and tragedy |
22 May 17 / Opera Today |
It is the musical performance which makes this production memorable |
22 May 17 / Classical Source |
Superbly sung UK premiere of Cavalli’s uneven tragedy |
22 May 17 / The Guardian |
Britain's premier summer festival opens with a spectacular staging of Cavalli's opera |
22 May 17 / What's on Stage |
There is nothing quite like a Cavalli opera at Glyndebourne |
22 May 17 / Music OMH |
A fabulous performance of a colossally dull opera |
22 May 17 / Telegraph |
HamletGlyndebourne FestivalGlyndebourne on TourNo. of reviews: 10 |
A thoroughly engaging and challenging but finally very rewarding piece |
26 Nov 17 / The Reviews Hub |
Glyndebourne’s touring version of new opera Hamet is truly top-notch |
20 Nov 17 / Eastern Daily Press |
The angry petulance of David Butt Philip’s Hamlet is evident from this opening scene |
6 Nov 17 / Opera Today |
more reviews [+]
Brett Dean's Hamlet in strong revival and mesmerising performances |
30 Oct 17 / Planet Hugill |
David Butt Philip leads a marvellous new cast in this fine-tuned touring production of Brett Dean’s masterly opera |
30 Oct 17 / The Observer |
A strong second cast for Brett Dean's new opera as it goes on tour |
26 Oct 17 / What's on Stage |
David Butt Philip triumphs as the prince |
26 Oct 17 / Classical Source |
There were magnificent performances all round |
26 Oct 17 / Music OMH |
David Butt Philip is a revelation as Shakespeare’s tortured prince |
24 Oct 17 / The Guardian |
“Or not to be”: dislocated Shakespeare as Brett Dean’s Hamlet is revived for Glyndebourne’s tour |
23 Oct 17 / Bachtrack |
HamletGlyndebourne FestivalNo. of reviews: 23 |
Allan Clayton gives it everything as Hamlet |
17 Aug 17 / Opera Journal |
Hamlet di Brett Dean a Glyndebourne: la parola di Shakespeare e la musica |
23 Jul 17 / Sipario |
Un angel exterminador en Glyndebourne |
14 Jul 17 / Mundo Clásico (Spanish) |
more reviews [+]
Brett Dean's and Matthew Jocelyn's Hamlet an important addition to opera |
8 Jul 17 / The Toronto Star |
'Hamlet,' a new opera, makes Shakespeare strange |
1 Jul 17 / New York Times |
Le reste est silence |
28 Jun 17 / Forum Opéra |
The exemplary cast is led by Allan Clayton’s Hamlet |
19 Jun 17 / Express |
Glyndebourne’s new, full-scale Hamlet toys with Shakespeare’s text to fine effect |
17 Jun 17 / The Observer |
Brett Dean wrangles the moody Dane into two-and-half hours of thrilling music theatre |
16 Jun 17 / Limelight |
Shakespeare, frisch gepresst, ohne Kerne |
16 Jun 17 / FAZ |
Onstage for much of the show, Allan Clayton’s Hamlet was bold and tireless |
16 Jun 17 / Opera News |
As Hamlet himself, Allan Clayton gave the performance of his career |
14 Jun 17 / Mark Ronan's Theatre Reviews |
Barbara Hannigan everyone’s go-to mad soprano was suitably deranged in Ophelia’s near naked scene |
14 Jun 17 / Independent |
A Herculean performance from Allan Clayton |
14 Jun 17 / Classical Source |
Allan Clayton gave the title part his all |
14 Jun 17 / Music OMH |
Hamlet is an important and significant addition to contemporary opera |
13 Jun 17 / Australian Book Review |
An ingenious deconstruction of Shakespeare |
13 Jun 17 / Evening Standard |
Brett Dean's heart-wrenchingly beautiful opera Hamlet wows England's Glyndbourne Festival |
13 Jun 17 / Sydney Morning Herald |
Brett Dean’s new opera plumbs the dark recesses of Shakespeare’s play |
13 Jun 17 / Financial Times |
Brilliant music, rapturously received |
13 Jun 17 / Telegraph |
Allan Clayton gives a physically vivid, emotionally affecting and psychologically astute portrayal of the Prince of Denmark |
12 Jun 17 / The Times |
A new opera by Brett Dean is the centrepiece of this year's Glyndebourne festival |
12 Jun 17 / What's on Stage |
Shakespeare boldly adapted by Brett Dean |
12 Jun 17 / Bachtrack |
A Midsummer Night's DreamGlyndebourne FestivalNo. of reviews: 13 |
Netia Jones’s techno-sophistry is used to enchanting effect in her imaginative production |
12 Jun 17 / The Guardian |
Un verano con Shakespeare y Britten |
14 Sep 16 / Mundo Clásico (Spanish) |
The pinnacle of Sir Peter Hall’s operatic success at Glyndebourne |
24 Aug 16 / Express |
more reviews [+]
Britten untamed! |
20 Aug 16 / Opera Today |
Peter Hall's 35-year-old production is still a winner |
19 Aug 16 / Express |
This was a treat |
17 Aug 16 / Mark Ronan's Theatre Reviews |
Poised and magical |
16 Aug 16 / Independent |
Si Tête d'Ane m'était conté... |
16 Aug 16 / Forum Opéra |
A faithful, snappy revival |
15 Aug 16 / Music OMH |
No surprises but a fine cast graces this effective revival of a durable classic |
13 Aug 16 / The Stage |
A heady mix of menace and fairy-dust |
13 Aug 16 / Classical Source |
Britten's magical operatic version of Shakespeare's play, revived in Peter Hall's production |
13 Aug 16 / What's on Stage |
Enchanted wood: dream of a Dream at Glyndebourne |
13 Aug 16 / Bachtrack |
associated articles [+]
A Midsummer Night's Dream: Shakespeare's great shapeshifter
This year’s crop of Dreams shows how Shakespeare’s comedy is fertile ground for infinite interpretation. But it is Benjamin Britten’s opera version that digs deepest into its inner strangeness.
This year’s crop of Dreams shows how Shakespeare’s comedy is fertile ground for infinite interpretation. But it is Benjamin Britten’s opera version that digs deepest into its inner strangeness.
Peter Hall: the Hallmark of operatic excellence
As Glyndebourne prepares to revive Peter Hall’s A Midsummer Night’s Dream, Rupert Christiansen looks back on the great director’s career.
As Glyndebourne prepares to revive Peter Hall’s A Midsummer Night’s Dream, Rupert Christiansen looks back on the great director’s career.
Madama ButterflyGlyndebourne FestivalGlyndebourne on TourNo. of reviews: 7 |
Glyndebourne’s first ever staging of Puccini’s Madama Butterfly comes to Norwich |
23 Nov 16 / Norwich Evening News |
Nuclear family |
1 Nov 16 / The Critics' Circle |
Karah Son suggests a core of steel under Butterfly’s delicate beauty |
23 Oct 16 / Express |
more reviews [+]
Butterfly is Karah Son’s Glyndebourne debut, and she is near-ideal in the part |
19 Oct 16 / Music OMH |
Engages the mind at the expense of passion |
19 Oct 16 / The Guardian |
Downtown Nagasaki comes to Glyndebourne in Annilese Miskimmon's Madama Butterfly |
17 Oct 16 / Bachtrack |
Musical riches but theatrical poverty in Glyndebourne's staging of Puccini's tear-jerker |
16 Oct 16 / What's on Stage |
associated articles [+]
‘From an early age opera helped me escape the Troubles’
Opera director, Annilese Miskimmon, on her new Madama Butterfly for Glyndebourne, growing up in Northern Ireland – and the Muppets as inspiration.
Opera director, Annilese Miskimmon, on her new Madama Butterfly for Glyndebourne, growing up in Northern Ireland – and the Muppets as inspiration.
Don GiovanniGlyndebourne FestivalGlyndebourne on TourNo. of reviews: 5 |
A satisfying production with Glyndebourne doing what it does best |
13 Nov 16 / Classical Source |
Duncan Rock is an unremittingly violent Giovanni |
31 Oct 16 / Express |
Duncan Rock's indisposition clears the way for an unforgettable role jump-in |
26 Oct 16 / What's on Stage |
more reviews [+]
A drab Don Giovanni from the Glyndebourne Tour |
18 Oct 16 / Bachtrack |
Duncan Rock's Giovanni did not disappoint |
17 Oct 16 / Music OMH |
Beatrice et BenedictGlyndebourne FestivalNo. of reviews: 16 |
Virée en boîtes |
20 Aug 16 / Forum Opéra |
Bobatrice et Puerilict. No es Shakespeare todo lo que se canta |
12 Aug 16 / Mundo Clásico (Spanish) |
Laurent Pelly has created a highly stylised production grey in both costumes and make-up |
10 Aug 16 / Mark Ronan's Theatre Reviews |
more reviews [+]
Leicht eintönige Berlioz-Inszenierung |
3 Aug 16 / Deutschland Radio |
Star of the show is mezzo-soprano Stephanie d’Oustrac |
1 Aug 16 / Express |
It is the beauty of the quieter and more contemplative moments that leave the deepest impression |
27 Jul 16 / Music OMH |
The music is five-star, but the production is four-star and the story-line is only two-star |
26 Jul 16 / Express |
The beauty of the playing and the physical comedy are redeeming elements |
26 Jul 16 / Independent |
Love labours in fifty shades of grey |
26 Jul 16 / Evening Standard |
Elegant but needs more emotion |
25 Jul 16 / Telegraph |
Too much outside-the-box thinking |
25 Jul 16 / The Guardian |
A rare outing for the comic opera from the pen of Berlioz by way of Shakespeare |
25 Jul 16 / What's on Stage |
Laughs, merriment, joie de vivre and poignancy wrapped into a very well-made production |
25 Jul 16 / Classical Source |
Laurent Pelly’s new production for Glyndebourne is certainly capricious |
25 Jul 16 / Opera Today |
Immaculately sung |
25 Jul 16 / The Stage |
Boxed in: Pelly serves up a grey Béatrice et Bénédict at Glyndebourne |
25 Jul 16 / Bachtrack |
Il barbiere di SivigliaGlyndebourne FestivalNo. of reviews: 17 |
Swinging Sevilla |
18 Aug 16 / Forum Opéra |
Un pique-nique à Séville |
14 Jul 16 / Forum Opéra |
Le Barbier de Séville au Festival de Glyndebourne |
16 Jun 16 / Opera Online (French) |
more reviews [+]
Mehr Klamauk als Oper |
13 Jun 16 / Opernnetz |
Bartolo sale de picnic |
7 Jun 16 / Mundo Clásico (Spanish) |
Excellently cast and truly funny |
2 Jun 16 / Express |
Director Annabel Arden needs to work on sharpening the comedy on stage |
1 Jun 16 / Express |
Il barbiere di Siviglia has a sparkling cast in a not quite razor-sharp staging |
30 May 16 / The Observer |
Fortunately, the talents of the cast distract us when the drama loses its way |
30 May 16 / Opera Today |
A triumphant celebration of Rossini’s musical genius |
27 May 16 / Independent |
Energy and spirit in a hit-and-miss comedy |
25 May 16 / The Guardian |
The cast for Glyndebourne’s new Barber exuded huge zest and youthful energy, |
25 May 16 / Mark Ronan's Theatre Reviews |
Björn Bürger’s Figaro was the audience favourite, and rightly so |
24 May 16 / Music OMH |
The score bubbles along but Glyndebourne's new Barbiere lacks spark |
24 May 16 / Telegraph |
Zesty barber is a cut above |
24 May 16 / Evening Standard |
Annabel Arden's new production of Rossini's comic opera is a summer treat |
24 May 16 / What's on Stage |
Forced farce: Arden's Barber opens up shop at Glyndebourne |
23 May 16 / Bachtrack |
associated articles [+]
The Barber of Seville
‘The most beautiful comic opera in existence’
‘The most beautiful comic opera in existence’
Le nozze di FigaroGlyndebourne FestivalNo. of reviews: 10 |
Figaro wigs out |
11 Jul 16 / The Observer |
Viewed simply as comedy, the evening is well paced, with good team work all round |
10 Jul 16 / Express |
Michael Grandage's sharp, sassy sixties (or is it seventies?) production is back |
8 Jul 16 / What's on Stage |
more reviews [+]
Nothing compares with the combination of Mozart and a sunny day at Glyndebourne |
6 Jul 16 / Express |
Delicious comic timing sweeps this frothy Figaro along |
6 Jul 16 / Telegraph |
The comedy is more defined and the sublime moments are as moving as ever |
5 Jul 16 / Music OMH |
Exceptional women make Glyndebourne's Mozart revival sparkle |
5 Jul 16 / The Guardian |
Every detail finely tuned in Glyndebourne's Le nozze di Figaro |
5 Jul 16 / Bachtrack |
Beautiful to look at, vividly engaging, Michael Grandage's 1960s set production |
4 Jul 16 / Planet Hugill |
This production finds new slants upon the work |
4 Jul 16 / Classical Source |
The Cunning Little VixenGlyndebourne FestivalNo. of reviews: 9 |
Glyndebourne captures earthiness of The Cunning Little Vixen |
1 Jul 16 / Seen and Heard |
Fox pops |
25 Jun 16 / The Critics' Circle |
The summer opera season defies the downpours with terrific Tchaikovsky, morally improving Mascagni, Shakespearean Puccini and zesty Janáček |
20 Jun 16 / The Observer |
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Performance schedule
Bizet
16 May to 24 Aug 2024
Mozart
18 May to 21 Jul 2024
Lehar
9 Jun to 28 Jul 2024
Handel
23 Jun to 23 Aug 2024
Wagner
2 to 25 Aug 2024
News & Articles
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7 Jan 2023 / The Guardian |
Glyndebourne announces its 2023 season |
Danielle de Niese, Louise Alder, Venera Gimadieva, Joélle Harvey and Liparit Avetisyan headline Glyndebourne’s 2023 season. |
4 May 2022 / OperaWire |
Glyndebourne tour to return in 2022 with Puccini and Mozart works |
The company will present Mozart’s “The Marriage of Figaro” in Michael Grandage’s 2012 production as well as a new production of Puccini’s seminal “La Bohème.” |
6 Feb 2022 / OperaWire |