| Glyndebourne Festival - Glyndebourne | 28 April 2024 |
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The Rake's Progress
Semele
Dialogues des Carmelites
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Le nozze di Figaro
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VanessaGlyndebourne FestivalNo. of reviews: 22 | |
Warner’s production emphasises the claustrophobic and noirish aspects of the story |
 9 Aug 18 / Music OMH |
Barber's opera finds its time with intelligent, gripping staging |
| 8 Aug 18 / The Guardian |
Keith Warner’s production evokes the mystery and repressed sensuality of this intriguing work |
| 8 Aug 18 / Mark Ronan's Theatre Reviews |
more reviews [+]
Keith Warner's Glyndebourne production exposes truths and tragedies |
| 8 Aug 18 / Opera Today |
Le miroir s'argenta |
| 8 Aug 18 / Forum Opéra |
Repression in a cold climate |
| 7 Aug 18 / Bachtrack |
Worth the wait for this winningly performed production |
| 7 Aug 18 / Independent |
Probing and spectacular |
| 7 Aug 18 / The Stage |
Glyndebourne: a solid production can't hide the charmlessness of Barber's opera |
| 7 Aug 18 / Telegraph |
Glyndebourne presents the first fully professional UK staging of Barber's romantic opera |
| 7 Aug 18 / What's on Stage |
It’s hard to imagine the opera being more sympathetically treated |
| 6 Aug 18 / Classical Source |
Blowsy histrionics and a great finale |
| 6 Aug 18 / The Arts Desk |
Glyndebourne’s magnificent production makes the strongest possible case for Vanessa |
| 6 Aug 18 / Evening Standard |
Gripping psychodrama with a nod to Hitchcock |
| 6 Aug 18 / Planet Hugill |
associated articles [+]
Vanessa: from Pulitzer to obscurity… and beyond
The prize-winning opera fell out of favour. Now it is getting a second chance at Glyndebourne.
The prize-winning opera fell out of favour. Now it is getting a second chance at Glyndebourne.
Madama ButterflyGlyndebourne FestivalNo. of reviews: 16 | |
You'd need to be made of stone to get through Act III unmoved here |
| 13 Sep 18 / Opera Journal |
Glyndebourne is sunny yet unrewarding |
| 3 Jun 18 / The Sunday Times |
The summer opera season kicks off with Annilese Miskimmon’s perceptive staging of Puccini’s heartbreaker |
| 28 May 18 / The Observer |
more reviews [+]
Much is routine – and a fair amount is worse |
| 24 May 18 / The Spectator |
A super start to the 2018 season |
| 24 May 18 / Mark Ronan's Theatre Reviews |
The undoubted glory of the evening was the orchestral playing by the London Philharmonic Orchestra |
| 22 May 18 / Music OMH |
The UK's premier summer festival opens its season with Puccini's beloved tear-jerker |
| 21 May 18 / What's on Stage |
Tears on the picnic lawn: Madama Butterfly makes her bow at the Glyndebourne Festival |
| 21 May 18 / Bachtrack |
Excellent performances |
| 21 May 18 / The Stage |
Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly |
| 21 May 18 / Opera Today |
An impressive opening night Butterfly at the 2018 Glyndebourne Festival |
| 21 May 18 / Seen and Heard |
A breathtaking Butterfly, but Richard Jones goes overboard on the gags |
| 21 May 18 / Independent |
Glyndebourne openers perplex, provoke and charm |
| 21 May 18 / The Guardian |
Exceptionally well cast and thoughtfully directed by Annilese Miskimmon, the emotional impact remains devastating |
| 21 May 18 / Classical Source |
Bland characterisation but striking singing in Puccini's emotional masterpiece |
| 21 May 18 / Telegraph |
Boldly updated to the 1950s, this production nevertheless has a striking visual beauty |
| 21 May 18 / The Times |
associated articles [+]
The heartless GIs who inspired Madame Butterfly
A new production of the opera at Glyndebourne is set in post-war Japan.
A new production of the opera at Glyndebourne is set in post-war Japan.
Sex, betrayal, suicide
is Madama Butterfly too sordid to stage today?
is Madama Butterfly too sordid to stage today?
Pelléas et MélisandeGlyndebourne FestivalNo. of reviews: 20 | |
Un cenizo llamado Golaud |
| 30 Aug 18 / Mundo Clásico (Spanish) |
Ça crève les yeux |
| 9 Aug 18 / Forum Opéra |
Country matters |
| 31 Jul 18 / parterre box |
more reviews [+]
Herheim transforms a dream-like play into a claustrophobic domestic drama but his interpretation is relevant |
| 17 Jul 18 / Express |
Stefan Herheim’s production seems to me to be picnicking on the croquet lawn of implausibility |
| 11 Jul 18 / Express |
A concept-heavy new production of Debussy’s masterpiece leaves little to the imagination |
| 8 Jul 18 / The Observer |
Vexing reading of a perplexing opera |
| 5 Jul 18 / The Spectator |
Ideas are laid on so thickly that they undermine the evening’s effectiveness and clarity |
| 5 Jul 18 / Music OMH |
What might have been? |
| 3 Jul 18 / Opera Today |
An operatic locavore consumes the English countryside |
| 3 Jul 18 / New York Times |
Pelléas is Stefan Herheim’s directorial debut at Glyndebourne |
| 3 Jul 18 / Seen and Heard |
Road to nowhere |
| 2 Jul 18 / The Critics' Circle |
Musically enchanting, even if the plot is perversely embroidered |
| 2 Jul 18 / Independent |
Glyndebourne makes itself at home in a bizarre staging of Debussy's only full-length opera |
| 2 Jul 18 / What's on Stage |
Shadows among the organ pipes: an enigmatic Pelléas et Mélisande on location in Glyndebourne |
| 2 Jul 18 / Bachtrack |
Fine singers compromised by eccentricities of this new staging |
| 2 Jul 18 / Telegraph |
Ticciati got the most enthusiastic applause; Herheim’s was more muted, with a few boos |
| 2 Jul 18 / Classical Source |
Crashing symbols overpower doomed lovers |
| 2 Jul 18 / The Guardian |
Debussy’s score becomes merely a soundtrack to a bewilderingly weird spectacle |
| 2 Jul 18 / The Times |
Patches of light from Robin Ticciati's conducting on Stefan Herheim's inexpressive canvas |
| 1 Jul 18 / The Arts Desk |
associated articles [+]
Stefan Herheim’s glittering vollisions have changed opera
When his productions fulfill his visions, the viewers can’t ignore what’s happening, Mr. Herheim, one of opera’s most innovative stage directors, said.
When his productions fulfill his visions, the viewers can’t ignore what’s happening, Mr. Herheim, one of opera’s most innovative stage directors, said.
SaulGlyndebourne FestivalNo. of reviews: 5 | |
Music reigned supreme at Glyndebourne’s production of Handel’s Saul |
| 24 Aug 18 / Opera Today |
An electrically imaginative, viscerally gripping production |
| 23 Jul 18 / Telegraph |
This is an eye-popping Old Testament spectacular, and one with its human drama unshrivelled |
| 23 Jul 18 / The Times |
more reviews [+]
Everybody loves David: Handel’s Saul at Glyndebourne |
| 21 Jul 18 / Bachtrack |
The production is utterly brilliant |
| 21 Jul 18 / Classical Source |
Giulio Cesare in EgittoGlyndebourne FestivalNo. of reviews: 9 | |
Giulio Cesare in Egitto ritorna a Glyndebourne, nella leggendaria produzione di David McVicar |
| 28 Jun 18 / Opera secondo me |
David McVicar’s acclaimed 2005 production of Giulio Cesare returns to Glyndebourne |
| 18 Jun 18 / Express |
This production of Handel’s take on the romance between Julius Caesar and Cleopatra is as glorious as it gets |
| 14 Jun 18 / Express |
more reviews [+]
David McVicar's 2005 production returns to Glyndebourne in triumph |
| 13 Jun 18 / What's on Stage |
Smashing revival of a gorgeous Glyndebourne classic |
| 12 Jun 18 / Telegraph |
Joélle Harvey is a fresh and clean-voiced Cleopatra |
| 12 Jun 18 / Classical Source |
A seamless marriage of high tragedy and slapstick comedy |
| 12 Jun 18 / Independent |
No weak links in opera with heart-stopping eloquence |
| 12 Jun 18 / Evening Standard |
Carry on Cleo: Joélle Harvey leads terrific revival of Giulio Cesare at Glyndebourne |
| 11 Jun 18 / Bachtrack |
Der RosenkavalierGlyndebourne FestivalNo. of reviews: 12 | |
Glyndebourne is sunny yet unrewarding |
| 3 Jun 18 / The Sunday Times |
Rosenkavalier never forgets to be funny |
| 31 May 18 / The Spectator |
En la oficina de Goro |
| 30 May 18 / Mundo Clásico (Spanish) |
more reviews [+]
Musically a delight, but a staging disappointment |
| 24 May 18 / Mark Ronan's Theatre Reviews |
There’s a dearth of passion and poignancy |
| 22 May 18 / The Times |
A triumphant first revival for Richard Jones' production of Strauss' romantic opera |
| 22 May 18 / What's on Stage |
Seriously funny, musically transcendent |
| 21 May 18 / Bachtrack |
A superb revival |
| 21 May 18 / The Stage |
This revival comes up freshly minted and emerges as a more thoughtful and likeable production than it did when new |
| 21 May 18 / Classical Source |
Easier on the ears than on the eyes |
| 21 May 18 / Telegraph |
A breathtaking Butterfly, but Richard Jones goes overboard on the gags |
| 21 May 18 / Independent |
Glyndebourne openers perplex, provoke and charm |
| 21 May 18 / The Guardian |
Così fan tutteGlyndebourne FestivalGlyndebourne on TourNo. of reviews: 8 | |
Glyndebourne Touring Opera’s touring production of Cosi Fan Tutte brings the fun along with Mozart’s magical music |
| 16 Nov 17 / Eastern Daily Press |
The 2017 Glyndebourne Tour arrives in Canterbury with a satisfying Così fan tutte |
| 3 Nov 17 / Opera Today |
A night at the opera |
| 31 Oct 17 / Sussex Express |
more reviews [+]
One final outing for Nicholas Hytner's outstanding production of Mozart's opera |
| 16 Oct 17 / What's on Stage |
Getting to the heart of Don Alfonso |
| 16 Oct 17 / Bachtrack |
A multinational cast look sexy, sing well and act beautifully |
| 9 Oct 17 / The Times |
The gorgeous autumn planting at Glyndebourne is as dazzling as the Mediterranean sun conjured up indoors |
| 9 Oct 17 / Classical Source |
Nicholas Hytner's irresistible production takes a bow |
| 9 Oct 17 / The Guardian |
Il barbiere di SivigliaGlyndebourne FestivalGlyndebourne on TourNo. of reviews: 5 | |
A beguiling Il barbiere di Siviglia from GTO |
| 6 Nov 17 / Opera Today |
Glyndebourne's 2016 production of Rossini's comic opera revived for the autumn tour |
| 13 Oct 17 / What's on Stage |
Just not very funny |
| 12 Oct 17 / Music OMH |
more reviews [+]
Strong ensemble cast gives fizz to Glyndebourne's touring Barber |
| 11 Oct 17 / Bachtrack |
On this showing, Rossini’s comedy of class and manners remains a masterpiece |
| 10 Oct 17 / Classical Source |
La clemenza di TitoGlyndebourne FestivalNo. of reviews: 13 | |
Tito se aburre |
| 25 Aug 17 / Mundo Clásico (Spanish) |
Richard Croft, Titus forever |
| 16 Aug 17 / Forum Opéra |
Bogged down |
| 8 Aug 17 / The Critics' Circle |
more reviews [+]
Anna Stéphany shines as Sesto in Claus Guth’s staging |
| 6 Aug 17 / Express |
Director Claus Guth arrived with a high reputation for his Mozart but the gods did not smile on this production |
| 30 Jul 17 / Financial Times |
Young talent shines through in a troubled production of Mozart's late opera |
| 28 Jul 17 / What's on Stage |
One for sorrow: Claus Guth directs a taut, dark Clemenza di Tito at Glyndebourne |
| 28 Jul 17 / Bachtrack |
Guth’s and designer Christian Schmidt’s concept is more sentimental than Imperial |
| 28 Jul 17 / Opera Today |
Tito and Sesto's relationship was totally implausible |
| 28 Jul 17 / Independent |
A magical, maddening return to Glyndebourne |
| 28 Jul 17 / The Guardian |
Stark, compelling and very well acted |
| 28 Jul 17 / Telegraph |
This profound and moving modern-dress production has a bumpy start, but is imaginatively conducted and winningly sung |
| 28 Jul 17 / The Times |
Claus Guth's new production of this Mozart opera is thoughtful and impressively sung |
| 27 Jul 17 / Evening Standard |
La TraviataGlyndebourne FestivalNo. of reviews: 11 | |
Joyce El-Khoury’s Violetta heads strong cast for a tremendous Glyndebourne La Traviata |
| 5 Aug 17 / Seen and Heard |
Tears before bedtime: El-Khoury transcends Cairns’ chilly Glyndebourne Traviata |
| 3 Aug 17 / Bachtrack |
Kristina Mkhitaryan's Violetta soars |
| 28 May 17 / The Observer |
more reviews [+]
Kristina Mkhitaryan's Violetta reveals everything one might ever look for in the part |
| 25 May 17 / Music OMH |
A strong Violetta carries an uninspired Traviata revival at Glyndebourne |
| 24 May 17 / Bachtrack |
A noteworthy Glyndebourne debut |
| 23 May 17 / The Stage |
Subtle and serious |
| 23 May 17 / The Guardian |
Cogent Cavalli, chilly Verdi |
| 23 May 17 / Financial Times |
Cairns’s production of La traviata is outstanding |
| 23 May 17 / Independent |
Another triumph for Glyndebourne casting |
| 23 May 17 / What's on Stage |
Is Kristina Mkhitaryan the new Netrebko? |
| 23 May 17 / Telegraph |
Don PasqualeGlyndebourne FestivalNo. of reviews: 9 | |
What a pleasure to see Mariam Clément’s 2013 Festival production revived |
| 19 Jul 17 / Mark Ronan's Theatre Reviews |
Lisette Oropesa is outstanding in Glyndebourne’s admirable Don Pasquale revival |
| 19 Jul 17 / Seen and Heard |
A revival that may well get slicker and funnier with every performance |
| 18 Jul 17 / Music OMH |
more reviews [+]
A cold-hearted comedy at Glyndebourne |
| 17 Jul 17 / Opera Today |
Buffa as blood sport |
| 15 Jul 17 / Bachtrack |
An evening of brilliant entertainment |
| 15 Jul 17 / The Stage |
Renato Girolami excels in the title role of Donizetti’s opera |
| 15 Jul 17 / Financial Times |
Mariame Clément's breezy version of Donizetti's opera returns |
| 15 Jul 17 / What's on Stage |
A black comedy that leaves a sour taste in the mouth |
| 15 Jul 17 / Telegraph |
Ariadne auf NaxosGlyndebourne FestivalNo. of reviews: 11 | |
Strauss’s masterpiece emerges mysterious and suggestive |
| 18 Jul 17 / Independent |
Norwegian soprano Lise Davidsen takes a while to relax, but her voice seemingly knows no limits |
| 1 Jul 17 / Financial Times |
A dazzling newcomer at Glyndebourne |
| 1 Jul 17 / The Observer |
Reviews search
Performance schedule
Bizet
16 May to 24 Aug 2024
Mozart
18 May to 21 Jul 2024
Lehar
9 Jun to 28 Jul 2024
Handel
23 Jun to 23 Aug 2024
Wagner
2 to 25 Aug 2024
News & Articles
| Glyndebourne Festival Opera 2024 |
It's a great year for beguiling women at the Sussex country opera house, with Carmen and Cleopatra among those weaving their seductive spells. |
| 27 Aug 2023 / CultureWhisper |
| What is Glyndebourne? |
The East Sussex opera house is home to the famed Glyndebourne Festival every summer – here’s everything that happens in this historic place of music. |
| 9 Aug 2023 / Classic FM |
| Glyndebourne cancels 2023 tour programme after funding cuts |
Opera company lost more than half its funding after Arts Council England sought to divert money to underserved regions. |
| 7 Jan 2023 / The Guardian |
| Glyndebourne announces its 2023 season |
Danielle de Niese, Louise Alder, Venera Gimadieva, Joélle Harvey and Liparit Avetisyan headline Glyndebourne’s 2023 season. |
| 4 May 2022 / OperaWire |
| Glyndebourne tour to return in 2022 with Puccini and Mozart works |
The company will present Mozart’s “The Marriage of Figaro” in Michael Grandage’s 2012 production as well as a new production of Puccini’s seminal “La Bohème.” |
| 6 Feb 2022 / OperaWire |
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