FIRST NIGHT

Opera review: Paul Bunyan at Wilton’s Music Hall, E1

Britten and Auden’s musical emerges as a hotchpotch of cabaret, folk, opera and song. Embrace the chaos and there’s fun to be had
The ENO chorus has a ball and sounds great in the intimate, elegantly dishevelled Wilton’s Music Hall
The ENO chorus has a ball and sounds great in the intimate, elegantly dishevelled Wilton’s Music Hall
GENEVIEVE GIRLING

Puzzles

Challenge yourself with today’s puzzles.

Puzzle thumbnail

Crossword

Puzzle thumbnail

Polygon

Puzzle thumbnail

Sudoku

★★★☆☆
You only have to look at a picture of Benjamin Britten and WH Auden to suss the dynamic. If they were schoolboys, Britten would be the bookish one with a side parting, beetling off for cocoa when a sneaky Auden offers him a puff on a cigarette round the back of the bike shed. A creative odd couple is born.

Having collaborated on the sarcastic cantata Our Hunting Fathers, the two men had (separately) left Britain before the Second World War to avoid nasty nationalism and potential conscription. Safely in New York, in Paul Bunyan they now thought they would try a Broadway musical.

The result is actually a lot stranger than that, as this first staging of the 1941 piece by English