Prospero | Opera in the modern world

The lure of the old

Why do opera-goers like their composers dead, when theatre-goers are readier to try out new stuff?

By E.H.B.

ANOTHER opera season, another predictable “La Traviata”? Far from it, says Sir Mark Elder, the music director of the Hallé Orchestra in Manchester, who is conducting Verdi’s perennial favourite at this year's Glyndebourne festival. Well-researched performances can bring freshness to the most familiar works, he suggests. “I tell the singers, ‘if you get this bar right, it will be a world premiere’.”

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