The production went for period authenticity

An opera that moves smoothly from gentle comedy to painful suffering via lots of delicious melodies

Magic and fun pervade ETO's Jason

Love and treachery with plenty of laughs in Cavalli’s Jason

Cavalli's 17th-century favourite is well worth reviving

This rarely heard seventeenth century opera had wit, flair and a scene stealing performance

There is a general fuzziness around all but the best performance

A mixed bag of baroque from English Touring Opera

Ted Huffman's production keeps a balance between narrowly-skirted tragedy and broad comedy

Shipwrecks and bigamy give a tragi-comic edge to this production of Cavalli's erotic classic

Hannah Pedley flaunts rich tones and sexy curves to great effect as Medea