English National Opera - The Pilgrim's Progress Reviews | 25 April 2024 |
Performance reviews
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The Pilgrim's ProgressEnglish National OperaNo. of reviews: 21 |
Comme un rituel |
11 Dec 12 / Concertclassic.com |
En route pour la Cité Céleste |
27 Nov 12 / Altamusica |
Absolutely théâtral? |
20 Nov 12 / Forum Opéra |
A hugely accomplished and sometimes brilliant show |
19 Nov 12 / Musical Criticism |
Only a partial success |
17 Nov 12 / Telegraph |
A jailhouse Pilgrim? It really rocks |
13 Nov 12 / Daily Mail |
Vaughan Williams can regard the Coli as a place of safe refuge |
12 Nov 12 / Opera Britannia |
ENO's take on Vaughan Williams is an operatic triumph |
11 Nov 12 / Independent on Sunday |
You either respond to this sound world or you don't |
11 Nov 12 / The Observer |
ENO's new production of Ralph Vaughan Williams’ The Pilgrim’s Progress is a musical triumph |
9 Nov 12 / Londonist |
Why Vaughan Williams' opera Pilgrim's Progress is a good (in every sense) piece |
9 Nov 12 / Telegraph |
The production was discreet, elegant, purposeful and full of surprises |
7 Nov 12 / Classical Source |
ENO’s Pilgrim progresses via death row |
7 Nov 12 / Seen and Heard |
The plaudits must go to conductor Martyn Brabbins and his wonderful brass |
7 Nov 12 / Independent |
This is exactly the sort of work ENO should be doing |
7 Nov 12 / What's on Stage |
A new production finally welcomes Vaughan Williams' opera home to the Celestial City |
7 Nov 12 / The Arts Desk |
The spiritual heart of the piece comes over powerfully |
7 Nov 12 / The Stage |
A 60 year wait is over |
7 Nov 12 / The Huffington Post |
This revival of Vaughan Williams’s opera is burdened by its preachy political imprisonment setting |
7 Nov 12 / Financial Times |
Martyn Brabbins clearly believes in the score's quality |
7 Nov 12 / The Guardian |
A quiet triumph |
7 Nov 12 / Telegraph |
associated articles [+]
The Pilgrim's Progress: Vaughan Williams's masterpiece returns
On the eve of its comeback performance at English National Opera, conductor Martyn Brabyns explains why it has taken more than 60 years to bring this opera back to the stage.
On the eve of its comeback performance at English National Opera, conductor Martyn Brabyns explains why it has taken more than 60 years to bring this opera back to the stage.
Yoshi Oida: What made this man turn to John Bunyan?
He’s 79 years old and Japanese. Who could be better to direct a classic English opera than Yoshi Oida.
He’s 79 years old and Japanese. Who could be better to direct a classic English opera than Yoshi Oida.
Production details
Cast
Wood, Nelson, von Bergen, Robinson, Judson, Sprague, Richardson, Dennis, Whately, Murray, O'Sullivan
(c) Brabbins (d) Oida
Performance dates
5, 9, 16, 20, 22, 24, 28 November 2012
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