Venganza barroca

Le confort après le coup de poing

David McVicar’s production brings Charpentier’s opera, Medea, handsomely to life

Medea is an unmissable treat

Sarah Connolly gives a performance of incomparable power

Hello, sailor! The fleet's in and it's one hell of a show

An evening to relish, for Charpentier’s score as much as the cast

Glamorous ‘Medea’ on London stage

The most brilliant show to have graced the Coliseum in years

This rare foray into French baroque is an unmissable treat

Sarah Connolly stars in the UK premiere of Charpentier’s Medea

The first half may have been disappointing, but the rest of the show was riveting

Sarah Connolly delivers a triumphant performance in the title role

ENO deserves a big round of applause for dipping its feet into the comparatively uncharted waters of French Baroque opera

The tale of Medea has caught David McVicar’s imagination on the wing

David McVicar's theatrical production of Medea is surprisingly fun

Unmissable

Charpentier’s gorgeous score is conducted by the experienced specialist Christian Curnyn

This was a peculiarly frustrating evening

Sarah Connolly and David McVicar lead a triumphant return to French baroque for ENO