19 November 2018

First nights

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wpworld premiere
cconcert performance
19 November 2018
18 November 2018
17 November 2018
16 November 2018
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Performance reviews

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The Royal Opera

No. of reviews: 20

Musicological melange: Barrie Kosky's production of Carmen at the Royal Opera
12 Mar 18 / Planet Hugill
Anna Goryachova beguilingly stares down the camera for Royal Opera’s Carmen in cinemas
12 Mar 18 / Seen and Heard
Carmen entre Zefirelli y Kosky
20 Feb 18 / Mundo Clásico (Spanish)
A production that achieves what it sets out to do
20 Feb 18 / Express
Kosky's Carmen fails to light fires at Covent Garden
16 Feb 18 / Bachtrack
A colossal bore
15 Feb 18 / The Spectator
Barrie Kosky’s innovations are always worth seeing, but this does not have the punch of other productions
14 Feb 18 / Mark Ronan's Theatre Reviews
Barrie Kosky's Spanish steps
13 Feb 18 / The Critics' Circle
Performers enjoy a nightly workout in Barrie Kosky’s refreshing if flawed new Royal Opera production
12 Feb 18 / The Observer
Carmen is monochrome and magnificent at Royal Opera House
9 Feb 18 / Londonist
Barrie Kosky's Carmen at Covent Garden
9 Feb 18 / Opera Today
A wake-up call met with boos and cheers
9 Feb 18 / Financial Times (via Google)
Barrie Kosky’s Carmen for the Royal Opera is a tedious affair
9 Feb 18 / Seen and Heard
Love it or hate it, this isn't just another Carmen
8 Feb 18 / Telegraph
Barrie Kosky puts fun and games centre-stage in Bizet's fierce romance
8 Feb 18 / What's on Stage
Anna Goryachova as Carmen deploys her mezzo voice like a weapon of war
8 Feb 18 / Independent
Tausche Troubadour gegen Carmen
8 Feb 18 / Deutschland Radio
Barrie Kosky’s radical, heartless, if sometimes brilliantly theatrical, staging of Bizet’s opera
8 Feb 18 / The Stage
Bizet meets Busby Berkeley
8 Feb 18 / The Guardian
It’s vaudeville filtered through a very Germanic theatre of the absurd
8 Feb 18 / Classical Source
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