|
Reviews | 24 April 2024 |
First nights
wpworld premiere
cconcert performance
You've been granted free access to this page.
Take a FREE 7 DAY TRIAL or SUBSCRIBE today to access the full content of theoperacritic.com.
Performance reviews
Key | Photo gallery | Production details | Video link |
Don GiovanniMetropolitan OperaNo. of reviews: 14 |
Only the Met can provide such a top notch rendition of this famous classic |
17 May 17 / Broadway World |
An underserved Don |
12 May 17 / ConcertoNet (English) |
Simon Keenlyside: Don Giovanni for ever |
22 Nov 16 / Wanderer |
A direct and engaging Don Giovanni at the Met |
8 Nov 16 / Bachtrack |
Le retour en force de Simon Keenlyside |
5 Nov 16 / Concertclassic.com |
Superb singing and playing in Met’s traditional production of Don Giovanni |
26 Oct 16 / Seen and Heard |
Simon Keenlyside returns |
17 Oct 16 / The Opera Critic |
Calorosa l’accoglienza da parte di un pubblico non foltissimo |
14 Oct 16 / Operaclick (Italian) |
‘Tristan und Isolde’ soars, while ‘Don Giovanni’ and ‘La Bohème’ fail to impress |
7 Oct 16 / New York Observer |
A welcome return for Simon Keenlyside |
3 Oct 16 / The Observer |
Keenlyside returns to Met with a low-key Don Giovanni |
1 Oct 16 / Broadway World |
“Don Giovanni” revival offers middling Mozart at the Met |
29 Sep 16 / Classical Review |
A singer's strong return in a drab 'Don Giovanni' |
29 Sep 16 / New York Times |
A winning cast sparks joy in Don Giovanni revival at the Met |
29 Sep 16 / Bachtrack |
associated articles [+]
Simon Keenlyside, the British singer, discussed vocal damage and other recent challenges ahead of his turn in Mozart's "Don Giovanni."
Paul Appleby will sing the role of Don Ottavio in this season's September and October performances of Mozart's Don Giovanni, replacing Rolando Villazón, who has withdrawn due to illness.
InformationIf you would like to suggest an artcle or review for inclusion on theoperacritic.com then please complete the form to the right. Only use this option to submit articles and reviews already published online. It should not be used to submit freelance work not already published. Please note that the inclusion of items submitted will be at the discretion of the Editor. |
|
Publication LinksThe majority of links on theoperacritic.com to reviews and articles will take you directly to the required content in the external publication. In some cases you will need to register with the publication concerned to be able to access their content, and for a few publications you will be limited to a specific number of articles you can read per week/month. |
Via GoogleSome publications operate a pay wall to access all their content, but do allow one-time free access to articles when they are linked to from a Google search. To access the review in this way you should click on the link on the Reviews page in the normal way. This will take you to a Google search results page, including the link to the desired review. Click on the link on this Google page and you will be taken to the review on the external publication. Publications which require linking via Google will be clearly marked as such. Currently the Financial Times is one such publication and on the reviews page you will see this publication styled as Financial Times (via Google). |
1. | Lucia di Lammermoor The Royal Opera |
2. | Médée Opéra national de Paris |
3. | Pelléas et Mélisande Opéra Royal de Wallonie |
4. | La Gioconda Teatro di San Carlo |
5. | La Gioconda Teatro di San Carlo |